Here’s a young band from Nuneaton in the English midlands with their brand-new debut EP entitled ‘Trip Club’. Unsurprisingly, given their name, they are a six-piece band playing reggae and ska and it’s a refreshing and lively sound. ‘Wet Wipe Boy’ is a fast reggae tune, guitar-led, more like a rock band playing reggae than a traditional reggae band- but that’s no bad thing. The title track is bass-heavy with a decisive brass input. ‘Chelsea’ is a strong reggae song with a powerful skanking rhythm and a rock outro – it would make a good single in its own right. ‘Reality of War’, with its assertive bass and distant drums, is a thoughtful conclusion. On the evidence of this EP, RudeSix will go a long way and bring new fans to the vital sound of contemporary reggae.
Here is the second double A-side single from The Drop’s debut album ‘Last Stand’ which is due out on Shoal Records on 14th September 2018. ‘Far and Wide’ is a mix of rock and reggae, forceful and powerful. ‘CCTV’’ is very different, a spooky extended intro taking us into The Drop’s take on this noughties classic dub step track by LV. The press release says that, as on the original version, “… Dandelion reignites his soulful vocal melodies, this time over gloomy laid-back Roots Reggae, with lashings of psychedelic guitars” which just about sums it up.
The forthcoming album. ‘Last Stand’, promises much with none other than Lee “Scratch” Perry featuring on first single ‘Dunna Runna’. The Drop are heading towards a UK tour in October and November so watch out for those dates – to be announced.
The classic ‘Kaya’ album is now forty years old and here is a brand-new remix of all ten tracks, courtesy of Stephen Marley, released in conjunction with the original album. It is hard to imagine that the original version could be improved upon, and, unlike some Bob Marley remixes (such as ‘Roots, Rock. Remixed’) there is no attempt here to construct new songs from the old ones. Instead, the Kaya 40 remix is relatively subtle: for instance, adding a dub-leaning mix to ‘Sun is Shining’ and ‘Kaya’ itself or bringing out the lead guitar (presumably from Julian ‘Junior’ Marvin) more strongly on ‘Crisis’. Stephen Marley has used Bob’s vocals from demos of the same tracks and made use of different takes of the songs to come up with something distinctive.
Musically, the band at this time, featuring Aston ‘Family Man’ Barrett, Carlton Barrett and Tyrone Downie, were at their peak. Listening to these songs today, it is striking how strong they remain melodically. ‘She’s Gone’ is a powerful song, and when it comes to final track ‘Time Will Tell’ you can almost hear the bells ringing in the local gospel church.
No fussing and fighting, this has always been a gentle and relaxed album. Now, with a more assertive remix, it gains a new, and well-deserved, lease of life. Stephen Marley’s remix respects the integrity of the original album and, unlikely though it seems, manages to improve it. A great listen.
Bob Marley and the Wailers: Kaya 40 Stephen Marley Remix; 2 CD, 2 vinyl, and digital releases, 24th August 2018
This album came out ten years ago and was a lively infectious take on contemporary reggae. Natty and the Rebelship band now plan to perform the whole album live in their forthcoming tour of the UK. The tour is scheduled for Autumn 2018, kicking off in Milton Keynes on 2nd November and concluding in Manchester on 29th of that month.
Prior to the tour, a limited-edition reissue of the album is planned for September 2018. Released on no less than the Tuff Gong label, ‘Man Like I and I…X’ will be a double-vinyl remastered version of the original ‘Man Like I’ album together with new recordings of favourite tracks featuring some of Natty’s associates including Seun Kuti, Benjamin Zephaniah, Maverick Sabre and El Fari and Ramzi (from Palestinian band 47soul). The album also shares an acoustic version of live favourite “Bedroom Eyes” and a track Natty recorded with Sly & Robbie that did not feature on the original album, alongside four further new original tracks to complete what has justly been described as a ‘collector’s package’.
Natty and the Rebelship: ‘’Man Like I and I…X’, release September 2018 on Tuff Gong records.
American band Groundation has been around for some time now, with a loyal following based on their jazz-tinged brand of roots reggae. Now they come our way once more with a new album (their first new studio album in four years) entitled ‘The Next Generation’, and a new single ‘My Shield’.
Featuring musicians from both Jamaica and their home state, California, the eleven tracks of the new album expand the range of the band into dub, reggae and jazz and together provide an original take on contemporary roots music. The opening brass sounds of the introductory track ‘Vanity’ are almost reminiscent of 1970s US bands like Blood Sweat and Tears before the song is resolved into a tight reggae workout. The slow reggae of ‘New Life’ is musically powerful while the wah-wah rhythm guitar of single ‘My Shield’ suggests that the disco era didn’t entirely bypass the band. A fascinating album in many ways and certainly worth hearing. Groundation have a formidable live reputation and with upcoming dates in Europe, including three UK dates in August, there is the imminent prospect of hearing them live.
Lineup: Harrison Stafford (lead singer and guitarist), Will Blades (organ and clavinet/keyboard), Isaiah Palmer (bass player), Jake Shandling (drummer), Brady Shammar (harmony vocalist), Aleca Smith (harmony vocalist), Eduardo Gross (guitarist), Craig Berletti (keyboard & trumpet) and Roger Cox (saxophone).
Groundation: ‘The Next Generation’, release September 2018, Baco Records
Here comes Mosiah (Akeil Martin) from Trinidad with a political message in his new single Burning Red. It’s a dancehall-influenced song based upon the ‘Volcano’ rhythm together with a sampling of Barrington Levy and indeed it sounds as though it could have emerged in the 1980s rather than now – but that’s no bad thing. Drawing his inspiration, and indeed his name, from religion, from Rastafari and from Marcus Mosiah Garvey, this is a vital sound that should propel Mosiah beyond his familiar audiences to wider appreciation.
Mosiah: Burning Red, release July 2018 on Reggaeville.
From the album ‘Repatriation’ (see reggaemusic.org.uk 16th January 2018) here is another great track from King Kong, entitled Wake up the Town. It features the unmistakable vocal and melodic input from none other than Eek a Mouse, a lively dance sound over a solid rhythm track. Dub festival dates due in France in November!
Protoje (Oje Ken Ollivierre) is from Jamaican reggae aristocracy, his mother being none other than Lorna Bennett (‘Breakfast in Bed’) and his father ‘Calypso king’ and recognised sports coach Michael Ollivierre aka Lord Have Mercy. Quite a pedigree. After the weird orchestral beginning, the ten tracks on Protoje’s fourth album ‘A Matter of Time’ are varied in pace and style. Some, like ‘Lessons’, are melodic and thoughtful, while the two tracks featuring Chronixx are faster and sharper, with guitar and the influence of both dancehall and hip-hop very evident. On ‘Blood Money’, which has been around for a while, the political critique is more explicit and other tracks, such as ‘Mind of a King’ are good old-school reggae, tuneful and, toward the end, getting a little dubby. Following through his recorded success, Protoje has broken into the festival circuit and this album will cement his reputation and leave his followers wanting more.
Protoje: A Matter of Time, released 29th June 2018 (CD and digital), 3rd August (vinyl) on Mr Bongo records
From Med Tone Records here come two new 45s, one with Robert Dallas as the Bearer of Bad News, the other featuring the great Linval Thompson with Fussing and Fighting. The Robert Dallas track is a slow-paced roots song in a classic style, backed up with a fine dub version courtesy of the Med Tone All Stars. It’s particularly good to hear Linval Thompson in great voice with another classic-style release, recorded in Kingston Jamaica, again with an old-style heavyweight dub on the flip side. Don’t cut off those dreadlocks!
Linval Thompson and Robert Dallas, singles released on Med Tone records 21st May 2018
From Italy we find Mellow Mood with a new collection of twelve roots reggae songs. This is their fifth studio album and is politically informed and socially aware throughout. The band has sought to reinvent itself and maintain a fresh approach with each successive album in order to capture something of the strength of their live performances on their recorded output. During April they played a number of dates in England, before heading out across France, Spain and Italy, with a final date due in the next few days in Amsterdam. As for the music, it largely remains true to the band’s name: heartfelt and quietly angry at the state of the world but fundamentally gentle in nature. The album opens with the brief and wistful ‘Call Back the Love’ which sets the scene for a series of fine roots songs underpinned by a powerful bass sound. There is a strong dub feel to some of the songs, as in the fadeout of ‘Another Day’ and a melancholy tone to the album as a whole. The production is strong throughout. Sweet reggae music for soothing the soul.
Mellow Mood ‘Large’, DDL/CD/vinyl release on La Tempesta Dub/Believe Distribution, April 2018