On first hearing it’s quite difficult to know what to make of this album from Toots and the Maytals, but after several listening it becomes…quite difficult to know what to make of it. It is certainly branching off in a different direction. Recorded in Jamaica with some A-list musicians in support, it comes from the man who popularised the word reggae all those years ago, but is not in any sense a reggae album. It would be much more accurate to say this is R and B, so long as that’s understood as Rhythm and Blues in the old school/soul/Stax sense rather than contemporary club-oriented R and B.
Written for the most part by Toots, some of the songs herein are pretty good. The opening track, Fool for You, would have fitted well into a set from vintage Otis Redding and it’s no exaggeration to say it would have passed an audition for inclusion on Otis Blue without much difficulty. In similar period R and B style is Perfect Lover, soulful deliveries over strong melody. Good Woman goes back further: simple 12-bar blues. Continue Reading “Toots and the Maytals: Flip and Twist”