Here is Brooklyn boy Double Tiger (aka Jay Spaker) with his first solo album, a compilation of recordings from the past five years of writing. Just released on leading NY label Easy Star Records, ‘Sharp and Ready’ kicks off with the fast reggae rhythm of ‘Rocking Time’, a great start to this collection of twelve tracks. ‘Crème de Crème’ and ‘Babylon Expire’ follow up at a more sedate pace, but again firmly in the roots tradition. With strong vocals and relatively understated instrumental arrangements this is new music with the classic feel. ‘Live Life’ starts with some fine dub sounds before heading into a dancehall-influenced vocal, adding up to a particularly strong track. The title track, together with ‘Moonlight’, are instrumental workouts informed by dub, while ‘A Feelin’ borrows inspiration from the sound of soul. ‘Time Has Come’ echoes with the political demands for social justice, and the album closes with ‘Ram Dancehall’, a fine deejay-dancehall track. This is a happy release from an artist/producer steeped in the received message of reggae and with a track record of working with some of the reggae greats. It should propel Double Tiger to a deserved level of wider recognition.

Double Tiger: Sharp and Ready, released on Easy Star Records, 30th June 2017.

Ho ho ho!

The release of Hollie Cook’s debut album was one of the more surprising and pleasing reggae releases of last summer, an all-too-brief excursion into tuneful roots-style treatments of some new tracks, together with other songs gathered together from across the years. This new release – ‘Hollie Cook in Dub’ – now revisits those vocal tracks in a straighahead dub style, adding three additional dubs for good measure. This restyling, courtesy of Prince Fatty, generates a sound that faithfully reproduces the pre-digital pre-computer cut-and-paste echo and reverb methods of the King Tubby/Niney dub era, and excellent indeed are the results. ‘For Me You Are Dub’ is a standout, a rapid fire version of an Andrews Sisters’ song of the 1940s (which, backed with its vocal version, is released as a 7” single on 30th April). Even more unlikely, ‘And the Beat Goes On’ is a slowed-down dub reverb-laden reconstruction of the Whispers’ disco track from the white-trousered and smart-jacketed 1970s, while a dub take on the Shangri-Las’ ‘(Remember) Walkin’ In The Sand’ is possibly more than could reasonably be expected. ‘Milk and Honey Dub’ and ‘Crying Dub’ are also strong contenders. While most reviews of Hollie Cook’s music seem compelled to mention that her father is Paul Cook of Sex Pistols renown, it isn’t really necessary to know much about family lineage to appreciate this unexpected and excellent release which can readily speak for itself.

So far as live performance is concerned, Hollie Cook’s band established their reputation by playing Big Chill, V, Festibelly, One Love, Jazz Cafe in 2011. This year, there are plans for a release of a further album of new material and a 20-date tour, with notable performances confirmed at Bestival, Camp Bestival, The Vintage Festival. Summer 2012 sees Hollie Cook play to her biggest crowd in Manchester, supporting The Stone Roses in their historic comeback. Great expectations indeed.

Prince Fatty Presents Hollie Cook in Dub: release 21st May 2012

This new release from nine-piece London reggae band Only Joe features five versions of the same track, ‘Revolution’, in a variety of mixes, remixes and production makeovers. It starts with the original band treatment, a mid-pace roots song in the classic mould with brass and upfront vocals, ‘everywhere I go people talking fire…’ Well, maybe. It’s a melodic reggae tune in the received tradition with some thoughtful dubbing-up of the instrumental tracks in the background. Next up is the ‘version’, a fine straightahead instrumental reading, deprived of the vocal track and otherwise unadorned, in the manner of the old 7” B-side instrumental sound system versions. Things get deeper with the RSD remix, keeping fairly true to the original, before a more radical remix from Skitz and The Sea, turning the song upside down with a comprehensive reconstruction of both vocal and backing tracks. The EP closes with the Sleepy Time Ghost (STG) jungle-influenced reimagining of the song where it’s hard initially to detect the presence of the original at all. The sequencing of this release is just right, taking us from the basic track which is almost predictable in its structure and progression, through a series of remixes, to a final conclusion that has effectively turned the original into something else entirely. A bold idea, well-executed, and certainly worthy of your attention.

Only Joe: Revolution: release 23rd April 2012

This debut double A-side single by Bristol-based Dub Mafia anticipates the release of their forthcoming album, due out later this year. The band generate a sweeping and ambitious sound that can best be described as a mixture of drum & bass and dance, but it also references latter-day dub and certainly dubstep, flavoured along the way maybe with hints of dancehall. ‘Danger’ is a breakbeat/dance track, highly polished in terms of production values, with impressive vocals from Eva Lazarus mixed to the front. ‘Breakneck’, by contrast, is a synth/drum and bass instrumental that changes its feel and rhythm half-way through to resolve itself into something almost psychedelic before reaching a conclusion with its final electronic pulse. This intriguing debut single can now be downloaded free from www.dub-mafia.com so you can decide for yourself before the album comes along.

Dub Mafia: Danger/Breakneck release 16th April 2012