Well dancehall isn’t dead if this new release from Ghanaian duo Reggie ‘n’ Bolllie is anything to go by. Featuring the inimitable sound of Beenie Man who makes the track stand out with his distinctive style, ‘On the Floor’ is the lead single from their album ‘Uncommon Favours’ which is due out soon. Reggie ‘n’ Bollie comment:
“This collaboration with Beenie Man is a dream come true for us. He’s been a source of inspiration in our music style and we are so privileged to have had the Legend and Dancehall King Beenie on this track. The track showcases our Ragga dancehall style which embodies the unique sound of our music”.
Reggie ‘n’ Bollie have had a good year thus far, having been appointed as “Ghana Tourism Ambassadors for UK & Europe” and also winning the “Best UK Music Artist Award” at the 2017 IARA Awards (International Achievements Recognition Awards). This full-on dancehall sound should help to establish their authentic reggae credibility after their TV talent show past and their troubled history with a mainstream label – and the contribution of Beenie Man seals the deal.
Reggie ‘n’ Bollie: On the Floor, release 27th October 2017
From Hollie Cook (see reggaemusic.org.uk 29 April 2012 and 9 July 2014) comes a fine new single on Merge Records. ‘Freefalling’ is a slow and sweet reggae ballad, while ‘Survive’ is a melodic reggae song in a retro mood, both tracks featuring guitar that could have been beamed in from another time and both with restrained and heartfelt vocals. The tracks are taken from Hollie Cook’s forthcoming third album, ‘Vessel of Love’, due in January 2018, and follow the release of lead single from that album ‘Angel Fire’.
The new single is a contemporary take on lovers’ rock produced by renowned producer Martin ‘Youth’ Glover. It moves Hollie Cook on from the dub-heavy sound of her previous two albums to a more mature and measured take on reggae, brimming with love and warmth.
Hollie Cook: Freefalling/Survive single on Merge Records, October 2017
This release from the Friendly Fire house band features exclusive Jam Jah dubplates and pre-release songs, totalling 31 tracks in all. It’s good fun, with that characteristic dubplate voiceover leading us from one track to the next. The Jamaican and British reggae artists concerned include Luciano, Kabaka Pyramid, Myki Tuff, Lion Art, Mr Williamz, Tippa Irie, YT, Duane Stephenson and Al Campbell plus many others. The dubplate gives us some clue to the variety of rhythms at the disposal of the Friendly Fire Band. This selection is played live and voice-overed at the band’s dubplate studio, the nerve-centre of this dub-heavy world.
Friendly Fire Band: All Stars Mixtape (Jam Jah Sound), September 2017
From our friends at Ramrock Records here comes a fine new EP from Dan Cohen, who was added to Glastonbury Festival’s ‘2014 Emerging Talent Competition’ and performed for 17,000 on the main stage at the Village Green Festival. Comprising the original track and two remixes it’s definitely worth a listen. It kicks off with the source track of ‘Find a Way’, a slow-paced straight-ahead reggae song with vintage-feel brass, followed by Ashley Beadle’s remix which cuts out some of the instrumentation but retains the lively bass and the strong vocals. The third track is Wrongtom’s Echolocation dub mix, taking us into another world altogether – an echoing dubbier land, culminating in a rich soundscape. Good to hear such music being produced for our edification as summer gives way to chillier times.
DB Cohen ‘Find a Way’, digital release 11th September 2017; 10” vinyl release due early October.
Kioko is a six-strong Birmingham based ska/reggae band who, with this new release, are following-up their previous EP True What They Say (2014). Guitarist Jon Brown acknowledges Kioko’s inspiration in the sounds of Kiko Bun, Alton Ellis and in the latter-day productions of Prince Fatty. With these points of reference the results should be good, and this latest EP does not disappoint. The music of the band is unapologetically linked to the currently dismal political scene in Britain and in this respect nods in the direction of bands like the Specials who flourished in similarly troubled times.
Musically the EP is personal in its tone as well as politically-inspired. ‘Kioko Skank’ is fine old-school reggae. The title track is melodic reggae music, accompanied by a strong dub version of the same song. ‘Kiss Away’ has a softer feel, kiss away the pain…while ‘Tired of Lying’ is back in the thoughtful reggae groove. A great little EP.
The band has toured with no less than international legends such as Lee ‘Scratch’ Perry, The Wailers and The Specials, and in the studio this EP was recorded and produced by Spider Johnson, famed as the previous bandleader for Lee Perry and as a member of the respected Dubwiser (see reggaemusic.org.uk 1st November 2011). Go and listen.
Kioko: Let’s Be Frank EP, released May 2017 on Avant Garde Music
Currently playing dates throughout the UK, the nine-strong Moods are a Manchester band who succeed in blending hip-hop and dancehall influences with a political perspective on northern urban life. ‘Missing Peace’ is their forthcoming album and further strengthens their growing reputation.
Amongst individual tracks, ‘POP (People Over Profit)’ is fast uncompromising hip-hop, giving way to ‘Inception’, a reggae rhythm with hip-hop vocal sound and strong instrumentation. ‘Bad Boy’ takes us into grime and maintains the hard edge of the album. The debut single ‘Joy’ has a strong influence of drum and bass and is a melodic track with the potential to break through to new audiences. Given the overall style of this track and some of the others such as ‘Hidden’ it is almost possible to imagine the XX covering some of the songs, implausible though that may sound. The title track, ‘Missing Peace’ is an effective reggae/hip-hop track in the band’s characteristic style, maybe the strongest song on the album. The publicity information for this release describes the band as Manchester’s ‘premier electro hip-hop reggae outfit’ who will ‘make you dance and then they’ll make you think’. That just about sums it up.
The band is due to return to their roots in September to launch the album at Manchester’s O2 Ritz on 8th September.
The Moods: Missing Peace, release 23rd September 2017 on A1 (M) Records
Here is Brooklyn boy Double Tiger (aka Jay Spaker) with his first solo album, a compilation of recordings from the past five years of writing. Just released on leading NY label Easy Star Records, ‘Sharp and Ready’ kicks off with the fast reggae rhythm of ‘Rocking Time’, a great start to this collection of twelve tracks. ‘Crème de Crème’ and ‘Babylon Expire’ follow up at a more sedate pace, but again firmly in the roots tradition. With strong vocals and relatively understated instrumental arrangements this is new music with the classic feel. ‘Live Life’ starts with some fine dub sounds before heading into a dancehall-influenced vocal, adding up to a particularly strong track. The title track, together with ‘Moonlight’, are instrumental workouts informed by dub, while ‘A Feelin’ borrows inspiration from the sound of soul. ‘Time Has Come’ echoes with the political demands for social justice, and the album closes with ‘Ram Dancehall’, a fine deejay-dancehall track. This is a happy release from an artist/producer steeped in the received message of reggae and with a track record of working with some of the reggae greats. It should propel Double Tiger to a deserved level of wider recognition.
Double Tiger: Sharp and Ready, released on Easy Star Records, 30th June 2017.
Hot on the heels of our review of Ghetto Priest’s excellent new album (see reggaemusic.org.uk 11th July 2017) here are details of two more recent or forthcoming releases from Ramrock Records which reinforce its reputation for bringing us the best in new reggae sounds. First, there’s the dancehall rhythm track from Jazzy Kitt himself given the lyrical treatment by Taz in the form of ‘Up Deh’ and from Camar Flava who offers us ‘Get Back Up’. Available on 7” vinyl release and on digital download, this is dancehall but without the hard and aggressive feel of its 80s and 90s origins, giving us something more gentle for soothing the soul.
Secondly, there’s the Dissent’s ‘Trust in Me’ EP, something very different from the Jazzy Kitt release. The Dissent brings us slow-paced reggae in the title track, reminiscent of the Specials’ ‘Ghost Town’ era and similarly politically aware. What follows are a couple of dubs of Trust in Me, and then ‘Hypocrite’ – who on earth could they be thinking of? Proceedings close with ‘Je Ne Veux Pas Quitter’ which is what one might call unorthodox, opening with guitar, followed by spoken word French commentary, resolving into instrumental reggae. Unusual but great. Released digitally already, this one is scheduled for 12” vinyl release in September 2017. Congratulations to Jo at Ramrock on these vital sounds!
Here’s a new reissue 12” single of a track laid down many years ago by Jacob Miller and indeed by Yabby himself some considerable time ago. With the customary solid foundation of a rhythm section comprising Sly Dunbar on drums and Robbie Shakespeare on bass, this version consists of four tracks starting with the vocal take from the late Yabby You (aka Vivian Jackson) followed by a great dub in the classic style. The other two tracks – credited to the ‘Jah Fingers all Stars’ – keep the rhythm rocking along in suitable fashion. Mastered by Nick Manasseh, this is great reggae music for those who know the track already as well as those who are hearing this for the first time.
Yabby You: I’m Just a Dread, released 2017 on the Jah Fingers label
Here comes Asian Dub Foundation frontman and sometime vocalist Ghetto Priest with his forthcoming solo album, produced by Adrian Sherwood. The lyrical concerns of this release are religious and spiritual in a broad sense, the title track making a plea for neighbourliness and community, with the other songs on the album lamenting the threat to the environment, the achievements of black women and the fall of Babylon. This includes a cover of Peter Tosh’s ‘Babylon Queendom’ and Judy Mowatt’s ‘Black Woman’. Perhaps most intriguing is an interpretation of Robbie Burns’ poem ‘I Murder Hate’, an unexpected but welcome contribution. Musically, the title track itself is optimistic melodic reggae, with a strong but gentle vocal sound and fine instrumentation, a great little reggae song. Its message is in the title; every man for every man, not every man for himself, a sentiment that remains unattractive to some of those with political power unfortunately.
From a troubled personal history, Ghetto Priest turned to Rastafarian belief and was steeped in the sound system culture of the 1980s before emerging as a roots performer in his own right. In 2011, he partnered Lucid Mover in the ‘Screaming Soul’ project, resulting in the ‘Ghost Inna Shell’ album and, a year later, its remixed counterpart, ‘Ghost Inna Dub’. In 2016, he released the single ‘Life Ain’t Easy’ based on Dennis Brown’s ‘Easy, Take It Easy’. This latest album is a fresh and uncompromising release, worth hearing for its take on the world around us.
Ghetto Priest: ‘Every Man For Every Man’: released 8th September 2017, Ramrock Records