Mungo’s Hi-Fi: Forward Ever

Scotland’s very own bass-driven sound system is well known on the live circuit, whether from their residency in Glasgow’s Sauchiehall Street or from forays further south and beyond. It’s a full-on dub sound-system-sound with a dancehall feel, bass turned to 11 and a digital no-escape blast of pure volume. Following previous releases on their own Scotch Bonnet Records imprint, this new album presents a selection of fifteen tracks, sequenced as they would appear in a live sound system show. Starting off with Sugar Minott’s ‘Scrubadub Style’, this provides a deceptively sparse introduction over a Mungo riddim before the bass kicks in and sets out the agenda for what is about to follow, beginning with Pacey’s take on ‘Everyman Different’ (familiar maybe from Errol Dunkley’s version). The bass gets serious with ‘Computer Age’ from Mr Williamz in a rub-a-dub style, the lyrics managing to include Mungo’s web address and possibly reggae’s first mention of a modem.

Pupa Jim’s ‘Boat People’ provides thoughtful consciousness lyrics to counteract the expectations of some that a potent mix of sound must rule out meaningful words. Omar Perry’s ‘Dem No Like It’ sits atop a deep and slow riddim, while the excellent ‘Bad Bad Boy’ from Soom T contrasts markedly, with a riddim that almost hints at rocksteady. Soom T also contributes the very different ‘Soundboy Police’. Ranking Levy’s ‘New York Boogie’ draws from earlier reggae riddims in its style, as does the loping sound of Zeb and Scotty’s ‘Warm Up’ which is almost reminiscent of the 80s style of, say, Clint Eastwood and General Saint. The well-regarded Gentleman’s Dub Club add the slightly strange but intriguing closing sound of ‘High Grade’. Continue Reading “Mungo’s Hi-Fi: Forward Ever”

Dubwiser: A Crack in Paradise

This original and in some ways surprising album from Oxford’s very own is a curious collection. With a live sound throughout, particularly in the mix of the bass and drums, there is a pervasive mood of urgency – put simply, being slightly frantic – as though time was running out fast and all these styles, songs and genres had to be squeezed into one (albeit very long) album before time ran out altogether.

The opening track – ‘Prophecy’ – is roots reggae in the old style to begin, before speeding-up and throwing in some guitar twiddlings that provide a direct bridge to the rock tradition from which the album also draws its numerous inspirations. ‘Ride Your Life Like a Bicycle’ (the initial single release) starts with some classic reggae chords, then proceeds toward some quirky Englishness, as though Syd Barrett had met the Specials one enchanted evening, fading out with a down-your-way harmony section, with its talk-over reminiscent of the light programme from the golden age of steam radio; what was it anyway with bicycles in the late 60s, the Prisoner and My White Bicycle aside? Continue Reading “Dubwiser: A Crack in Paradise”