they-say-jump-lift-your-moodHere comes the brand new release from London’s They Say Jump. Forming in 2010, and originally fronted by alternative soul singer Kwabs, the band now comprises Adrian Benn on vocals, Rhys Owen on saxophone, Ben Pearce on guitar, Sam Edgington on bass guitar, Luke Allwood on keys, Jackson Mathod on trumpet, and Mike Clowes on drums.  This is the debut EP from a band who are known for their blend of reggae, ska and R and B rhythms. ‘Can’t Chase Me’ features Horseman and generates the kind of dancehall/grime sort of sound you might expect from his involvement, a fast-moving upbeat track to kick things off with a neat spoken close to the song. ‘Lift Your Mood’ is more like a soul song initially before going into a drums/bass interlude and then a return to the soulful mood with which it began. ‘Twilight’ (the previously released single) brings us back to firm reggae beats, slow and again soulful, before we encounter ‘Reggae Music’ which pretty much speaks for itself, melodic and instrumentally powerful with a dub interlude before speeding to its conclusion reminiscent of 2-Tone at its height. The EP ends with ‘Surrender’, a slow and thoughtful reggae song to start with before accelerating to a ska-based conclusion, a great little track. They Say Jump are launching their EP at Hoxton’s Bar and Kitchen on Monday 15th August and will no doubt be in evidence elsewhere as the EP takes off.

1233This excellent twenty-track compilation from Pressure Sounds features extended mixes and previously unreleased versions from reggae’s finest, complete with informative if idiosyncratic sleevenotes. All tracks are produced by Bunny ‘Striker’ Lee and are reproduced here from the original vinyl records, featuring musicians including Carlton Barrett, Aston ‘Family Man’ Barrett, Augustus Pablo, Tommy McCook and Vin Gordon. The album opens with Slim Smith’s ‘The Time Has Come’ in an unreleased version complete with false starts and an unadorned basic reggae rhythm. This is followed by an outstanding ‘Devil’s Brother in Law’ from I Roy and Augustus Pablo  where I Roy declaims  over the top of the source track, the Paragons ‘Left With a Broken Heart’. I Roy also brings us the fascinating unreleased ‘Noisy Place’ where he deejays his studio comments to King Tubby (‘Doctor Satan’) over a run-through of ‘Man Next Door’ (aka ‘Got to Get Away’), a track well-known from versions by Horace Andy (included here) and also by the Paragons, Dennis Brown or indeed Massive Attack.

Big Joe’s ‘Rasta Train’ is great deejaying with King Tubby at the mixing desk; Cornell Campbell contributes his sweet vocal sound to three unreleased tracks; King Tubby adds a quirky and infectious ‘Straight to the Copycat Head’ with basic fading in and out of instruments; and there’s a fine unsophisticated rhythm track behind Eric Donaldson’s ‘Cherry Oh Baby’ (followed here by I Roy’s ‘Festival Mash Up’ of the same track). ‘Riding for a Fall’ (familiar to many perhaps from John Holt’s vocal version) is featured here dominated by Vin Gordon’s instrumentation, leaving just traces of the vocal track. But it’s very difficult to pick out standout tracks given the consistent overall quality of the music here. It’s all good. An excellent album.

Bunny Lee and Friends: Tape Rolling! single CD/double vinyl, Pressure Sounds/Attack

b5b2c79f-8148-469c-b568-f9ca922ec064Here’s a good dose of contemporary UK reggae from Tree House Fire with their new EP ‘Coming in Hot’. Influenced by the sounds of dub, reggae, ska and punk their sound is young and fresh, expanding from their origins in 2012 through the release of two albums (see reggaemusic.org.uk 4 August 2014) into a vibrant 5-piece band who have earned themselves quite a reputation. This new release kicks off with the gentle reggae rhythm and sparse instrumentation of ‘Major Rocket’, followed by the more upbeat sound of the title track. ‘What Matters Most’ is thoughtful melodic reggae, ’Stack It Up High’ has a relatively minimalist arrangement while ‘Hope’ is based on the contrasting rhythm of acoustic guitar. ‘Horizon Dub (Every Cloud)’ is a fine dub conclusion to the EP with a pleasing mix, led by its persistent bass. It seems like the band has evolved a mature sound that’s subtle and effective. Playing festivals in July, August and September there is a chance to hear them live as well as to enjoy this latest release.

Tree House Fire: Coming in Hot, release July 2016, CD and digital, Jamtown Recordings

ph45007From the German label Philophon comes this new single ‘Get Away’ by reggae performer Y-Bayani and his Band of Enlightenment, Reason and Love. With his song ‘Asembi Ara Amba’, Y-Bayani has already featured on the respected debut album ‘Invisible Joy’ by the Polyversal Souls and this led to his first release under his own name. ‘Get Away’ is a light and up-tempo reggae song, backed-up on this single by the slower and more deliberate ‘Obar No Ni’. Both tracks were produced by Max Weissenfeldt and Stibbo Spitzmüller at Berlin’s Joy Sound Studios. This is the sound of Ghanian reggae music and is well worth a listen.

Y-Bayani: ‘Get Away’, single release July 2016, on Philophon (7” and digital)

The Beat - Bounce -500The late 70s/early 80s Birmingham band The Beat are well-remembered for a string of high-rhythm and bass-driven songs, including chart singles like ‘Too Nice to Talk To’ and ‘Mirror in the Bathroom’ as well as for a political edge that was a million miles away from the narcissistic posing of other 80’s bands. Their memorable extension of Prince Buster’s ‘Whine and Grine’ to become ‘Stand Down Margaret’ remains very powerful, the dub of which is as good a testament to Thatcher as you are ever likely to hear. The Beat went their separate ways, partly forming the rhythm section of Fine Young Cannibals, and more recently the original vocalist Dave Wakeling led his version of the Beat and continued to perform.

Now we have a brand new album from The Beat ‘featuring Ranking Roger’, with the eponymous original band member plus his son Matthew Murphy (Ranking Junior), drummers Oscar Harrison of Ocean Colour Scene and Fuzz Townshend of Pop Will Eat Itself, Chiko Hamilton on sax, bass guitar Andy Pearson, guitarist Steve Harper and Bobby Bird whose grounding in ambient dub in the form of Higher Intelligence Agency brings something more to the sound of The Beat. The single ‘Walking on the Wrong Side’ is recognisably the sound of Beat, accessible ska/reggae reminiscent of the Police in some ways (unsurprising as Ranking Roger has worked with Sting) – upbeat, happy, and good to hear this sound again. Wha’ppen!

The Beat: ‘Walking on the Wrong Side’ single released July 2016; ‘Bounce’ album (vinyl and digital) released September 2016